a gallery presents

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PAINT Sam Ovens

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Filed under: Art

DRAW PAINT DESTROY

a gallery presents DRAW PAINT DESTROY. Based around a conceptual framework of three artists installing their work over a three week period, with the first installment functioning as a solo exhibition with another artist being added each week as the exhibition evolves into a group show. Each of the artist’s involved will respond to their individual exhibition title (for example the first artist Danny Brisbane will respond to the his title DRAW, with the second artist Sam Ovens responding to his title PAINT…) The artists will also respond to the current exhibition GIRLZ a group show featuring Bekah Carran, Anya Sinclair, mi$$match and Willow McIsaac. DRAW PAINT DESTROY will feature Danny Brisbane, Sam Ovens and Harley Jones.

 You are invited to all three installments          

 

DRAW Danny Brisbane    16/8/12

PAINT Sam Ovens 23/8/12

 DESTROY Harley Jones   30/8/12

 

 All installments open at 5:30pm on their prospective dates at a gallery 393 Princes Street Dunedin New Zealand http://www.agallerypresents.wordpress.com

Filed under: Art

DRAW Danny Brisbane

Filed under: Art

GIRLZ review by Frank Strachan printed in the ODT 2/8/12

This all-female group show stems from the artists’ desire to emphasise the presence of female makers within the Dunedin art scene. In a gallery whose exhibitions have inadvertently, but predominantly, entertained male artists, this group collectively respond to (or collectively respond through) their femininity.

From Sinclair’s reliably picturesque landscape painting to mi$$match’s pink explosion of hip-hop inspired attitude, or from Carran’s portentous, pendulum-like stack of prisms hanging from the ceiling to McIsaac’s small but striking descriptively entitled sculpture: Lipstick ascending on caterpillar tracks on a hill in a blizzard in a jar, there are multiple departure points for contemplation beneath an overriding statement about female presence in the art world – precisely what that statement is, however, is ambiguous. The works are said to be in dialogue with one another and while some visual analogies are apparent, the objects’ exchanges are otherwise vague.

Separately, the arrangements are complete and thoughtful – they can easily be imbued with unique and even profound significance; collectively though, their lucidity wavers. This is not a condemnation of the collection but a reflection on the strength each work harbours in isolation. Girlz is thus an enjoyable exhibition by virtue of its variety, attitude and female solidarity rather than by way of coherency.

Filed under: Art