Review of BLIND TRASH/ A view for dying by James Dignan printed in the Otago Daily Times on 7/11/23

Olga Gallery is presenting a double exhibition by Jay Hutchinson and Justin Spiers.

Hutchinson’s display is primarily a launch for a limited-edition book, Landfill. The artist continues his practice of creating delicate and detailed embroidered copies of found trash. A specific site is often chosen by the artist, who then gathers up discarded wrappers and other detritus, using them as the basis for art by the addition of fabric and embroidery silks. In the current display, nine sealed copies of the book are coupled with nine framed works, each based on an individual found wrapper or container.

Next to these works sits a series of strong photographic studies of the top of Lawyer’s Head. The local landmark is depicted as a gloomy and neglected spot, a reflection which ties in with the promontory’s notoriety as a suicide spot. By focusing on the non-scenic side of the headland, Speirs challenges us to look at the location with the bleak eye of someone who is at the end of their tether, and to consider how we view a place depending on our emotions and mindset.

Both displays reflect well on what is beautiful and what is dreary about our landscape, and how our internal views often determine which of these any particular scene might be.

Published by agallerypresents.com

Conceived as a two-year project, ‘a gallery’ opened in February 2011 at 393 Princes Street, Dunedin and closed in September 2012. Strategically placed south of the center of town nestled between tattoo studios, sex shops and a needle exchange. What was integral in the selection of the gallery space was that it would be able to be viewed from the street through the street level floor to ceiling windows. This would allow the artists showing to be exposed not only to viewers visiting the gallery, but also those walking past, as a gallery was to represent artists that did not fit within the commercial gallery context or the so called experimental project space’s, this would be the best way to expose a particular group of artists selected by gallery curator/manager Jay Hutchinson, artists he respected and admired and felt were not being represented in the gallery scene at the time.

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