Second Chance opening 2pm 5/4/25 at Olga Gallery

Photo by Justin Spiers

The exhibition ‘Second Chance’ opening at 2pm on the 5th of April as part of ID Fashion Week in Dunedin. The exhibition brings together three Dunedin artists that work with material, ideas and concepts around waste, particularly textile waste.

Meg Gallagher uses off cuts leftover from clothing production runs that would normally be destined for landfills, stitching these pieces together into canvases Gallagher then applies a mixture of natural pigments, dye and bleach creating beautiful landscapes. 

 Victoria McIntosh stitches together  contemporary jewellery, sculpture and assemblage. A collector by nature, she is drawn to found objects that she discovers in a variety of second-hand shops, used fabric and cast away object that for McIntosh carry a sense of history, whether real or imagined.

 Jay Hutchinson makes textile copies  discarded objects that he finds on his daily commute. Through a process of photographing the object and printing it onto scrap fabric, each piece hand stitched where Hutchinson invests hundreds of hours into the forgotten and thrown away, making the unseen seen.  

Photo by Justin Spiers

Published by agallerypresents.com

Conceived as a two-year project, ‘a gallery’ opened in February 2011 at 393 Princes Street, Dunedin and closed in September 2012. Strategically placed south of the center of town nestled between tattoo studios, sex shops and a needle exchange. What was integral in the selection of the gallery space was that it would be able to be viewed from the street through the street level floor to ceiling windows. This would allow the artists showing to be exposed not only to viewers visiting the gallery, but also those walking past, as a gallery was to represent artists that did not fit within the commercial gallery context or the so called experimental project space’s, this would be the best way to expose a particular group of artists selected by gallery curator/manager Jay Hutchinson, artists he respected and admired and felt were not being represented in the gallery scene at the time.

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