GRAFFITI VILLAGE OMNIBUS PUBLICATION LAUNCH 2pm 15/11/25

Hutch and A Gallery Presents a Filth_4U  and General Editions publication launch of  “The Graffiti Village Omnibus” a limited edition publication along side a deluxe edition project, featuring an original art work by Joel Rickerby and Jay Hutchinson at Hutch Gallery, 21 Moray place, Dunedin. Saturday 15th November 2025 2pm till 5pm with guest DJs …

“…and tales from outside the Dairy”, Gallery Thirty Three, 4/7/25 until 1/8/25 text outtake from a review By Laura Elliott published in Art Seen ODT on 24/8/25

 …while multidisciplinary artist Jay Hutchinson demonstrates that — if we’re truly looking — art and beauty can be found in even the most mundane surroundings. After collecting discarded food wrappers and pavement rubbish, Hutchinson photographs and studies them with the care and interest of a palaeontologist uncovering a fossil, before recreating them as striking textile …

Eight steps to perfection and tales from outside the Dairy, opening 5pm 4/7/25 at Gallery Thirty Three

This Exhibition brings together a recent sculptural work ‘Eight Steps to perfection’ that first exhibited 2020 at Ramp gallery and more recently in the exhibition, ‘Never Be Seen’ at Aratoi Museum 2024. This two piece sculptural work is shown along a series of nine new works titled, ‘Tales from outside the Dairy’, these works are …

Second Chance opening 2pm 5/4/25 at Olga Gallery

The exhibition ‘Second Chance’ opening at 2pm on the 5th of April as part of ID Fashion Week in Dunedin. The exhibition brings together three Dunedin artists that work with material, ideas and concepts around waste, particularly textile waste. Meg Gallagher uses off cuts leftover from clothing production runs that would normally be destined for landfills, stitching these pieces together into canvases Gallagher then applies …

Review of “An untitled landscape, six beers and your cheapest packet of smokes” by James Dignan printed in the Otago Daily Times 11/7/24

Jay Hutchinson’s latest exhibition at Olga Gallery continues the artist’s interest in psychogeography, the unearthing of narratives about the social life of a site through its often overlooked features. Hutchinson has long used the symbolism of rubbish and detritus as an embodiment of the social history of a particular area. The artist embellishes found discarded …